<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Posts on stau.space</title><link>https://stau.space/posts/</link><description>Recent content in Posts on stau.space</description><generator>Hugo</generator><language>en-US</language><managingEditor>sona@stau.space (Sona Tau Estrada Rivera)</managingEditor><webMaster>sona@stau.space (Sona Tau Estrada Rivera)</webMaster><lastBuildDate>Tue, 21 Jul 2026 14:11:58 -0400</lastBuildDate><atom:link href="https://stau.space/posts/index.xml" rel="self" type="application/rss+xml"/><item><title>Eq</title><link>https://stau.space/posts/eq/</link><pubDate>Tue, 21 Jul 2026 14:11:58 -0400</pubDate><author>sona@stau.space (Sona Tau Estrada Rivera)</author><guid>https://stau.space/posts/eq/</guid><description>&lt;p&gt;First, I&amp;rsquo;d like to start with a quick sentence a friend said a really long time ago while we were taking Calculus I:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;A set is just its cardinality.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;At first, my reaction was to dismiss that as nonsense.
I mean, look at these sets: $\{1\}$, $\{2\}$.
They look very different to me, but their cardinality is the same.
You mean to tell me that I can uniquely identify sets by their cardinality?
I&amp;rsquo;ll cut the sarcasm now; yes you can do that identification and it&amp;rsquo;s actually not that crazy.&lt;/p&gt;</description></item><item><title>I Love Patina</title><link>https://stau.space/posts/patina/</link><pubDate>Sun, 19 Jul 2026 18:27:59 -0400</pubDate><author>sona@stau.space (Sona Tau Estrada Rivera)</author><guid>https://stau.space/posts/patina/</guid><description>&lt;p&gt;This blog post will be slightly different than the usual Mathematics/CompSci focused posting.&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;When I used to study architecture, because &lt;a href="https://www.autodesk.com/products/autocad/free-trial"&gt;I didn&amp;rsquo;t own a computer that had Windows installed on it&lt;/a&gt;, I would do many of the drawings required for the courses by hand.
There I learned the absolute value there is in using tools which were made specifically for a single task.
For example, I started out using &lt;a href="https://www.staedtler.com/us/en/products/pencils-and-accessories/graphite-pencils/mars-lumograph-100-drawing-pencil-100-g12/"&gt;drawing pencils&lt;/a&gt; (the ones that come in different hardness) to do the drawings.
You&amp;rsquo;ll notice eventually that although the hardness is very important for drawing, the thickness with which the lines get made is equally if not more important.
This meant that using regular wooden drawing pencils wouldn&amp;rsquo;t cut it, they would get blunt and thicken too fast.
This is where &lt;a href="https://www.staedtler.com/us/en/products/pencils-and-accessories/mechanical-pencils-and-lead-holders/mars-technico-788-leadholder-788-c/"&gt;mechanical drawing pencils&lt;/a&gt; came in.
To this day, mechanical drawing pencils are my go-to when writing things down because of their versatility and resilience.
Something else I&amp;rsquo;ve noticed about owning a single one of these pencils for the past 8 years is: this pencil might be plastic in some places and metal in others, but the used look of it looks very nice.&lt;/p&gt;</description></item><item><title>The best Algebraic Structure</title><link>https://stau.space/posts/perfect-structure/</link><pubDate>Tue, 16 Jun 2026 11:48:48 -0400</pubDate><author>sona@stau.space (Sona Tau Estrada Rivera)</author><guid>https://stau.space/posts/perfect-structure/</guid><description>&lt;p&gt;An &lt;a href="https://en.wikipedia.org/wiki/Algebraic_structure"&gt;algebraic structure&lt;/a&gt; is a set with some functions associated to it that meet some axioms.
&lt;a href="https://en.wikipedia.org/wiki/Semigroup"&gt;Semi-groups&lt;/a&gt;, &lt;a href="https://en.wikipedia.org/wiki/Field_%28mathematics%29"&gt;fields&lt;/a&gt;, &lt;a href="https://en.wikipedia.org/wiki/Quasigroup"&gt;loops&lt;/a&gt;, and &lt;a href="https://en.wikipedia.org/wiki/Magma_%28algebra%29"&gt;magmas&lt;/a&gt; are all examples of algebraic structures.
I won&amp;rsquo;t assume that the reader has dealt with any of these structures but I will assume that you know about &lt;a href="https://en.wikipedia.org/wiki/Cardinality"&gt;set cardinality&lt;/a&gt; and the fact that these structures were originally created, mostly, in an abstract way in order to model different things. The best example for this, from a programming perspective, is that of the semigroup. If you want to parallelize a procedure in your program, a way to do this would be to demonstrate it forms a semigroup. If so, parallelizing it is super easy, since a semigroup&amp;rsquo;s operation is associative. I won&amp;rsquo;t go into too much detail on this since this is not the point of this post.&lt;/p&gt;</description></item><item><title>Language Semiring</title><link>https://stau.space/posts/language-semiring/</link><pubDate>Sun, 31 May 2026 20:28:46 -0400</pubDate><author>sona@stau.space (Sona Tau Estrada Rivera)</author><guid>https://stau.space/posts/language-semiring/</guid><description>&lt;p&gt;I actually wrote this blog post a couple months ago but only decided to shape it up for posting today: june 18th.&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;In my computation theory class, after defining a &lt;a href="TODO"&gt;regular expression&lt;/a&gt;, we also defined operations $\cdot$ and $\cup$.
These operations would take a set of words in a &lt;a href="TODO"&gt;regular language&lt;/a&gt; and construct yet another set of words.
Interestingly, there were some special sets that make this look like a ring:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;The empty set $\emptyset$ which has the following properties:
&lt;ul&gt;
&lt;li&gt;It is an identity element for the $\cup$ operation: $\emptyset \cup A = A \cup \emptyset = A$.&lt;/li&gt;
&lt;li&gt;It is an annihilator element for the $\cdot$ operation: $\emptyset \cdot A = A \cdot \emptyset = \emptyset$.&lt;/li&gt;
&lt;/ul&gt;
&lt;/li&gt;
&lt;li&gt;The set with one element $\{\epsilon\}$ which is a language that only identifies the empty string has the following properties:
&lt;ul&gt;
&lt;li&gt;It is an identity element for the $\cdot$ operation: $\{ \epsilon \} \cdot A = A \cdot \{ \epsilon \} = A$.&lt;/li&gt;
&lt;/ul&gt;
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;This makes it almost a ring with:&lt;/p&gt;</description></item><item><title>The Explorer's Trial</title><link>https://stau.space/posts/exploring/</link><pubDate>Sat, 07 Mar 2026 08:24:15 -0400</pubDate><author>sona@stau.space (Sona Tau Estrada Rivera)</author><guid>https://stau.space/posts/exploring/</guid><description>&lt;p&gt;I really like trying out new software.
Between me and my friends, I&amp;rsquo;m the designated weirdo who&amp;rsquo;s always trying out strange things on my devices.
This gets me stares from others, but I don&amp;rsquo;t mind:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Can&amp;rsquo;t you just use something normal?
&amp;mdash; Ran D. Ompersson&lt;/p&gt;
&lt;/blockquote&gt;
&lt;blockquote&gt;
&lt;p&gt;This &lt;strong&gt;is&lt;/strong&gt; normal for me.
&amp;mdash; Me&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Well, maybe I could use something more normal?
But time has proven that there are actually a lot of really cool things people have made out there.
You&amp;rsquo;ll see later what I mean about this.
Many times a lot better and a lot buggier than the widely established software projects, but still really cool.
Some of them have been long forgotten, dead.
Some of them have been reborn, whether that is knowingly or unknowingly of the original project escapes me, but I&amp;rsquo;m certain that the motivation for doing so is out of wanting the same solution the original project sought to accomplish.&lt;/p&gt;</description></item><item><title>The Eight Plain Text Questions</title><link>https://stau.space/posts/the-eight-questions/</link><pubDate>Thu, 05 Mar 2026 10:10:57 -0400</pubDate><author>sona@stau.space (Sona Tau Estrada Rivera)</author><guid>https://stau.space/posts/the-eight-questions/</guid><description>&lt;p&gt;Based off Ellane W&amp;rsquo;s based off Scott Nesbit&amp;rsquo;s Eight questions for Donald Brown.&lt;/p&gt;
&lt;h2 id="when-did-you-start-using-plain-text"&gt;When did you start using plain text?&lt;/h2&gt;
&lt;p&gt;High school, around 2016.&lt;/p&gt;
&lt;h2 id="why-did-you-start-using-plain-text"&gt;Why did you start using plain text?&lt;/h2&gt;
&lt;p&gt;I had seen a couple videos at the time about Linux, and about a week later I had been given a laptop.
Like many experts in their field, I am acutely aware of all the ways in which the systems I work with can run optimally and how easily they can also break.
Many software developers know and strive towards having resilient systems, built in the most elegant way possible.
I used to take notes by hand in notebooks, and computers seemed very interesting to me back then.
Because of this, I had a series of requirements which my writing system had to meet:&lt;/p&gt;</description></item><item><title>2026 New Year's Resolution</title><link>https://stau.space/posts/2026-resolution/</link><pubDate>Sat, 17 Jan 2026 16:45:07 -0400</pubDate><author>sona@stau.space (Sona Tau Estrada Rivera)</author><guid>https://stau.space/posts/2026-resolution/</guid><description>&lt;h1 id="january"&gt;January&lt;/h1&gt;
&lt;aside&gt;
This is the most personal public blog post I've made but I feel like having public accountability for my resolution would be fruitful.
&lt;/aside&gt;
&lt;p&gt;Deadlines long overdue, the nadir of my grades, no personal projects in the past year, a stale mind floating on the river of time, and a general feeling of distrust emanating from those around me; all of them: indicators that I had simply stopped trying.&lt;/p&gt;
&lt;p&gt;I have also realized that in order to solve my problems, I needed to stop and think about them before acting:&lt;/p&gt;</description></item><item><title>Frieren: Beyond Journey's End</title><link>https://stau.space/posts/frieren-s1/</link><pubDate>Fri, 26 Dec 2025 00:00:00 -0400</pubDate><author>sona@stau.space (Sona Tau Estrada Rivera)</author><guid>https://stau.space/posts/frieren-s1/</guid><description>&lt;ul&gt;
&lt;li&gt;&lt;strong&gt;Studio / Year:&lt;/strong&gt; MADHOUSE (2023)&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;Date Watched:&lt;/strong&gt; 2025年12月26日&lt;/li&gt;
&lt;/ul&gt;
&lt;hr&gt;
&lt;p&gt;Needless to say,&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;strong&gt;HERE BE SPOILERS&lt;/strong&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;h1 id="visual--formal-language"&gt;Visual &amp;amp; Formal Language&lt;/h1&gt;
&lt;aside&gt;
Framing &amp; composition
&lt;/aside&gt;
&lt;p&gt;This was animated by MADHOUSE, the framing and composition seem very standard for animes of this time period. Lots of scenic introductory shots about the world using classic framing guidelines like &amp;ldquo;the rule of thirds&amp;rdquo; and &amp;ldquo;putting the horizon at the top or bottom&amp;rdquo;.&lt;/p&gt;
&lt;p&gt;That&amp;rsquo;s not to say that the composition wasn&amp;rsquo;t great though. For example, take a look at the following shot:&lt;/p&gt;</description></item><item><title>The Phoenician Scheme Critique</title><link>https://stau.space/posts/the-phoenician-scheme/</link><pubDate>Sun, 21 Dec 2025 00:00:00 -0400</pubDate><author>sona@stau.space (Sona Tau Estrada Rivera)</author><guid>https://stau.space/posts/the-phoenician-scheme/</guid><description>&lt;h1 id="the-phoenician-scheme"&gt;The Phoenician Scheme&lt;/h1&gt;
&lt;ul&gt;
&lt;li&gt;&lt;strong&gt;Director / Year:&lt;/strong&gt; Wes Anderson (2025)&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;Date Watched:&lt;/strong&gt; 2025-12-20&lt;/li&gt;
&lt;/ul&gt;
&lt;hr&gt;
&lt;h1 id="visual--formal-language"&gt;Visual / Formal Language&lt;/h1&gt;
&lt;p&gt;&lt;span class="letterine"&gt;&lt;i&gt;A&lt;/i&gt;s a Wes Anderson movie.&lt;/span&gt; The framing was absolutely stunning. Every shot had some sort of symmetry happening in it. As if someone had animated a painting. The camera movement was basically nonexistent for the entire film. Except during the end when there was a fight scene and the camera started following the struggling faces of the characters. Other than that, there were fast movements between shots every now and then. The editing was mildly fast, and very abrupt. This makes sense since most shots were taken from a static perspective. There isn&amp;rsquo;t much movement to be done, and if the movement was absolutely necessary, then a quick cut was done to the thing that needed focus and back to the main event. The lighting and contrast was very soft. Many hot temperatured colors and pastel palettes were used for the rooms and in the outfits. The general color grading of the movie was slightly yellowish and cooled down for the climax of the movie. This adds to the feeling of the movie looking like a painting.&lt;/p&gt;</description></item><item><title>Trivial toki pona Substitutions</title><link>https://stau.space/posts/ttps/</link><pubDate>Sun, 16 Nov 2025 17:23:50 -0400</pubDate><author>sona@stau.space (Sona Tau Estrada Rivera)</author><guid>https://stau.space/posts/ttps/</guid><description>&lt;h1 id="toki-open"&gt;toki open&lt;/h1&gt;
&lt;p&gt;&lt;span class="letterine"&gt;&lt;i&gt;T&lt;/i&gt;here is a family of programming languages that are called &amp;ldquo;Trivial Brainf*ck
Substitutions&amp;rdquo; (TBFS for short).&lt;/span&gt; They basically take the 8 characters used in
Brainf*ck and represent them using other strings of characters. This is (somewhat) the same idea behind sitelen pona and sitelen kuwi. I would even guess that it&amp;rsquo;s the same idea behind sitelen sitelen, but I don&amp;rsquo;t know enough yet about sitelen sitelen to make that conclusion.&lt;/p&gt;</description></item><item><title>Nasin Toki</title><link>https://stau.space/posts/nasin-toki/</link><pubDate>Sat, 04 Oct 2025 16:29:43 -0400</pubDate><author>sona@stau.space (Sona Tau Estrada Rivera)</author><guid>https://stau.space/posts/nasin-toki/</guid><description>&lt;h1 id="toki-a"&gt;toki a&lt;/h1&gt;
&lt;p&gt;This is my &lt;em&gt;nasin&lt;/em&gt; for writing toki pona. My &lt;em&gt;nasin&lt;/em&gt; includes things meant for better typesetting, improved readability of text, and preserving the generally artistic nature of toki pona whether that is in sitelen pona or sitelen Lasina.&lt;/p&gt;
&lt;h2 id="table-of-contents"&gt;Table of contents&lt;/h2&gt;
&lt;pre&gt;&lt;code&gt;ala la ........ &amp;gt; Related things should go together.
wan la ........ Use of &amp;quot;la&amp;quot;, &amp;quot;ni&amp;quot; and indenting.
tu la ......... Vertical alignment.
tu wan la ..... Names in toki pona.
tu wan.wan la . Being respectful and beauty in names.
tu tu la ...... Use of multiple &amp;quot;pi&amp;quot; in a single sentence.
&lt;/code&gt;&lt;/pre&gt;
&lt;h1 id="ala-la"&gt;ala la&lt;/h1&gt;
&lt;p&gt;Most of the readability that I talk about boils down to:&lt;/p&gt;</description></item><item><title>¡Feliz Cumpleaños Izánder!</title><link>https://stau.space/posts/hbd/</link><pubDate>Mon, 07 Jul 2025 18:56:46 -0400</pubDate><author>sona@stau.space (Sona Tau Estrada Rivera)</author><guid>https://stau.space/posts/hbd/</guid><description>&lt;dialog id="hintbox" style="position:absolute;top:0.5vw"&gt;&lt;div id="hintboxmsg"&gt;&lt;/div&gt;&lt;form method="dialog"&gt;&lt;button&gt;Close.&lt;/button&gt;&lt;/form&gt;&lt;/dialog&gt;
&lt;script&gt;
function answer(id, answer, location, event) {
 if (event == null || event.code == "Enter") {
 if (id.value.toUpperCase() == answer.toUpperCase()) {
 hintboxmsg.innerHTML = `
 &lt;h2&gt;You did it!&lt;/h2&gt;
 Tu regalo está en: ${location}
 `;
 hintbox.showModal();
 if (id == riddle1) {
 second.hidden = false;
 } else if (id == riddle2) {
 third.hidden = false;
 } else if (id == riddle3) {
 hintboxmsg.innerHTML = `
 &lt;h2&gt;Felicidades, te amo Izánder y espero que hayas pasado un día bonito. :)&lt;/h2&gt;
 Tu último regalo está: ${location}
 `;
 hintbox.showModal();
 }
 } else if (id == riddle2) {
 hintboxmsg.innerHTML = `
 &lt;h2&gt;:( La sacaste mal.&lt;/h2&gt;
 `;
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 hint2.hidden = false;
 } else {
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 &lt;h2&gt;:( La sacaste mal.&lt;/h2&gt;
 `;
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&lt;h1 id="primer-riddle"&gt;Primer Riddle&lt;/h1&gt;
&lt;p&gt;I have no door, but I open and close.&lt;/p&gt;</description></item><item><title>nasin toki</title><link>https://stau.space/posts/tok-style/</link><pubDate>Thu, 12 Jun 2025 20:27:45 -0400</pubDate><author>sona@stau.space (Sona Tau Estrada Rivera)</author><guid>https://stau.space/posts/tok-style/</guid><description>&lt;h1 id="toki-a"&gt;toki a&lt;/h1&gt;
&lt;p&gt;This is my &lt;code&gt;nasin&lt;/code&gt; for writing &lt;span lang="tok"&gt;toki-pona&lt;/span&gt;.
My &lt;code&gt;nasin&lt;/code&gt; includes things meant for better typesetting, improved readability of text, and preserving the generally artistic nature of &lt;span lang="tok"&gt;toki-pona&lt;/span&gt; whether that is in &lt;span lang="tok"&gt;sitelen-pona&lt;/span&gt; or &lt;code&gt;sitilen Lasina&lt;/code&gt;.&lt;/p&gt;
&lt;h2 id="ala-la"&gt;ala la&lt;/h2&gt;
&lt;p&gt;Most of the readability that I talk about boils down to &amp;ldquo;put stuff that&amp;rsquo;s similar together&amp;rdquo;.
When dealing with multiple subjects, several headnouns or verbs, your text might get cluttered and you might end up with a huge paragraph of text.
This can be readable, but it doesn&amp;rsquo;t have to be this way.
Specially in &lt;span lang="tok"&gt;sitelen-pona&lt;/span&gt; where horizontal and vertical spaces and symmetry are significant to the piece of text you are writing about.&lt;/p&gt;</description></item><item><title>Mathematics in toki pona</title><link>https://stau.space/posts/tok-mat-faq/</link><pubDate>Wed, 11 Jun 2025 00:00:00 -0400</pubDate><author>sona@stau.space (Sona Tau Estrada Rivera)</author><guid>https://stau.space/posts/tok-mat-faq/</guid><description>&lt;h1 id="faq"&gt;FAQ&lt;/h1&gt;
&lt;p&gt;Frequently asked questions about &lt;a href="https://stau.space/posts/tok-mat/"&gt;&lt;span lang="tok"&gt;toki pi (nasin nanpa)&lt;/span&gt;&lt;/a&gt;.&lt;/p&gt;</description></item><item><title>toki pi kulupu pini</title><link>https://stau.space/posts/kulupu-pini/</link><pubDate>Mon, 20 Jan 2025 07:50:59 -0400</pubDate><author>sona@stau.space (Sona Tau Estrada Rivera)</author><guid>https://stau.space/posts/kulupu-pini/</guid><description>&lt;p&gt;The Cult of Done is a manifesto written by Bre Pettis with Kio Stark in August of 2016.&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href="https://medium.com/@bre/the-cult-of-done-manifesto-724ca1c2ff13"&gt;English manifesto&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;</description></item><item><title>A Monad Is Not A Burrito</title><link>https://stau.space/posts/burritos/</link><pubDate>Sat, 21 Dec 2024 10:34:47 -0400</pubDate><author>sona@stau.space (Sona Tau Estrada Rivera)</author><guid>https://stau.space/posts/burritos/</guid><description>&lt;p&gt;Repeat after me:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;A monad is &lt;em&gt;NOT&lt;/em&gt; a burrito.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;blockquote&gt;
&lt;p&gt;A monad is &lt;em&gt;NOT&lt;/em&gt; a taco.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;blockquote&gt;
&lt;p&gt;A monad is &lt;em&gt;NOT&lt;/em&gt; a wrapper.&lt;/p&gt;
&lt;/blockquote&gt;</description></item><item><title>Algorithms</title><link>https://stau.space/posts/algorithms/</link><pubDate>Sun, 08 Dec 2024 20:18:33 -0400</pubDate><author>sona@stau.space (Sona Tau Estrada Rivera)</author><guid>https://stau.space/posts/algorithms/</guid><description>&lt;p&gt;So it was a fine summer morning.
Our research team was about to start our project &amp;ldquo;Counting Arithmetical Structures on Cycles with a Doubled Edge&amp;rdquo;.
From the description of the project it is immediately obvious that this kind of counting can be done by brute force, and me being the only computer scientist in my group of mathematicians I start coding up a couple algorithms for this.&lt;/p&gt;</description></item><item><title>Translations</title><link>https://stau.space/posts/stuff/</link><pubDate>Sun, 08 Dec 2024 19:20:28 -0400</pubDate><author>sona@stau.space (Sona Tau Estrada Rivera)</author><guid>https://stau.space/posts/stuff/</guid><description>&lt;p&gt;Here are several excerpts from miscellaneous texts that I have translated into toki pona.&lt;/p&gt;</description></item><item><title>AOC day 1</title><link>https://stau.space/posts/aoc-2024-day1/</link><pubDate>Thu, 05 Dec 2024 13:55:24 -0400</pubDate><author>sona@stau.space (Sona Tau Estrada Rivera)</author><guid>https://stau.space/posts/aoc-2024-day1/</guid><description>&lt;span lang="tok"&gt;
 wan wan. &lt;br&gt;
 zz pana pi (toki tawa lipu) li nasin lipu tu e wan. &lt;br&gt;
 zz pana pi (toki tawa lipu) li suli. &lt;br&gt;
&lt;/span&gt;
&lt;span lang="tok"&gt;
 zz poka li sin pana ala li nanpa sewi e luka. &lt;br&gt;
 zz ale li sin pana. &lt;br&gt;
&lt;/span&gt;
&lt;pre&gt;&lt;code class="language-bqn"&gt; ⍉ pana
⟨ ⟨ 4 3 5 3 9 3 ⟩ ⟨ 3 4 2 1 3 3 ⟩ ⟩
 ∧˘⍉ pana
⟨ ⟨ 3 3 3 4 5 9 ⟩ ⟨ 1 2 3 3 3 4 ⟩ ⟩
 |-˝∧˘⍉ pana
⟨ 2 1 0 0 1 5 ⟩
 +´|-˝∧˘⍉ pana
9
&lt;/code&gt;&lt;/pre&gt;</description></item><item><title>AOC day 2</title><link>https://stau.space/posts/aoc-2024-day2/</link><pubDate>Mon, 02 Dec 2024 00:00:00 -0400</pubDate><author>sona@stau.space (Sona Tau Estrada Rivera)</author><guid>https://stau.space/posts/aoc-2024-day2/</guid><description/></item><item><title>Mathematics in toki pona</title><link>https://stau.space/posts/tok-mat/</link><pubDate>Mon, 02 Dec 2024 00:00:00 -0400</pubDate><author>sona@stau.space (Sona Tau Estrada Rivera)</author><guid>https://stau.space/posts/tok-mat/</guid><description>&lt;p&gt;&lt;span class="tok"&gt;nasin nanpa lon toki-pona&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;The language toki pona (&lt;span lang="tok"&gt;toki-pona&lt;/span&gt;) lacks a lot of common mathematical definitions.
Although this is on purpose, I do enjoy talking about mathematics.
In a language where kindness and compassion is so prevalent I see no reason why to avoid talking about something I feel so passionate about.
Then, here is my documentation for how to speak about common mathematical terms.&lt;/p&gt;</description></item><item><title>Zig CTFP</title><link>https://stau.space/posts/zig-ctfp/</link><pubDate>Wed, 07 Aug 2024 11:38:20 -0400</pubDate><author>sona@stau.space (Sona Tau Estrada Rivera)</author><guid>https://stau.space/posts/zig-ctfp/</guid><description>&lt;p&gt;Let this blog post be living proof that Zig is in fact also a functional
programming language.&lt;/p&gt;</description></item><item><title>We Lost the ICPC Regionals</title><link>https://stau.space/posts/icpc-regionals/</link><pubDate>Sat, 21 Oct 2023 22:00:00 -0400</pubDate><author>sona@stau.space (Sona Tau Estrada Rivera)</author><guid>https://stau.space/posts/icpc-regionals/</guid><description>&lt;p&gt;We lost the ICPC Regionals!!&lt;/p&gt;</description></item></channel></rss>